In this day and age we are so far eliminated from the notions and customs that have molded it that discussing them has an appearance of something too weird to even think about examining. So it is with the ‘passing dance’ that was emblematic of one’s acknowledgment as a divine being in paradise. To discover its source and comprehend its significance one should initially permit the sizes of visual deficiency to fall away and another reality to enter the conditioned personalities of strict confidence.
My rebirth and memory of a between life experience in the Spirit was a trigger to take a gander at when, how, and why, current religions were conceived. For what reason is a re-visitation of eternal life not acknowledged and for what reason do religions pull off lecturing dubious garbage and untruths?
At the point when the age of 45 years was reached, as demonstrated to me in a dream when between lives, the Spirit dispatched me to ‘destroy the mass of temples’. It was trailed by different Father Rutler dreams and orders, for example, ‘take me off the cross’.
Except if one can acknowledge resurrection as actuality then they won’t ever comprehend the work the Spirit has driven me to do. That is the boundary, the mass of the temples. It started in Babylon with the Islamic religion of that city. Many could never realize that this is where all religions started and they have their foundations in Islam.
The deception diverted by strict associations and the weapons of paradise and hellfire have fabricated a strong jail of the brain. That prison is limited by the mass of trickery and secret thrown up to avoid revelation.
The start of the religion is shown in cavern craftsmanship and in the sanctuaries of antiquated urban areas, like Catal Hüyük in Turkey. In its enormous rooms are artistic creations on dividers that follow those of the Mayan religion of Mexico. During my Honors Thesis in antiquarianism (which was likened to that of a PhD) the likenesses were featured and they coordinate. They additionally identify with the paleontology of Stonehenge, in England.
The most striking picture is that of headless bodies moving. In Turkey they are in relationship with immense vultures that are known to have been the carrier of the dead to the sublime prize. In Palenque the special raised area de sacrificios yielded what is depicted as a picture of Pacal executing himself and moving.
So what did the dance have to do with the exchange of the body? It shows eternal life and that is the thing that the populaces were centered around. The rulers expected to demonstrate that they had the ability to rise above from earth to paradise and to administer in the great beyond, in any case their rule would have been to no end. This is the starting point of Father God.